
Mesa compartida
El juego de mesa en Chile
El juego de mesa en Chile
2.ª Bienal de Arte Textil
Huellas y desplazamientos
Un siglo del Banco Central
Creada por María Jesús Guarda, Karina Letelier y Paulo Letelier
Homenaje a Juan Castillo
Centro Cultural La Moneda and the Fundación Bienal de Arte Textil (BAT) invite you to explore the exhibition Abolir el Desierto (Abolish the Desert). 2nd Textile Art Biennial. Curated by Matías Allende Contador, the exhibition highlights the rich diversity of the African continent, bringing visibility to its cultures, people, and languages—a territory geographically and historically close, yet often perceived as distant.
It features a selection of 25 textile art pieces from the Textiles of the World Collection, donated in 2018 by collectors Edward Shaw and Bernardita Zegers to the Universidad de Talca (University of Talca). Most of the works are anonymous, hand-crafted for utilitarian purposes, and originate from countries including Ghana, Congo, Mali, Cameroon, Nigeria, South Africa, Kenya, Tanzania, Madagascar, and Ivory Coast.
Abolir el Desierto celebrates these textiles for both their aesthetic richness and critical potential, elevating them as objects worthy of reflection and dialogue. By honoring the unknown creators and their woven works as symbols of transformation and emancipation, the exhibition approaches African lands with sensitivity and a forward-looking perspective.
The Fundación Bienal de Arte Textil (BAT – Textile Art Biennial Foundation) is a platform for textile artists from Chile and around the world. Since 2019, it has established itself as a space for exhibition, reflection, and creation in contemporary textile art.
Through exhibitions, seminars, and public engagement activities, BAT fosters dialogue among artists, curators, researchers, and audiences, promoting the exchange of knowledge and experiences. Additionally, through initiatives such as regional itineraries and international collaborations, BAT goes beyond a biennial event, contributing to the visibility and permanent recognition of textile art worldwide.
Matías Allende Contador (Santiago, Chile) holds a PhD in Latin American Studies from the Universidad de Chile. He is a contemporary art curator whose research focuses on the connections between Latin American popular culture and contemporary art from the 20th century onward.
Allende has extensive experience in the museum field: he served as a researcher and content producer for the collection of the Museo de Arte Contemporáneo (MAC – Museum of Contemporary Art) at the Universidad de Chile and worked as a curatorial assistant at the Museo Nacional de Bellas Artes in Buenos Aires (MNBA – National Museum of Fine Arts, Buenos Aires). He is the principal author of Catálogo Razonado. Colección MAC (Reasoned Catalogue. MAC Collection, MAC), editor of Especulaciones sobre el mundo desde América Latina (Speculations on the World from Latin America, CECLA-Vortex, 2022), and has published articles in various specialized journals.
He is currently conducting postdoctoral research in Paris, supported by the Deutsche Forum für Kunstgeschichte (DFK-Paris) and the Institut National de l’Histoire de l’Art (INHA) of France. At the same time, he serves as General Curator of the Chilean Textile Art Biennial (BAT).